I never really got to the point of the dawn of man, but I think that the story tells it very clearly. Supposedly he's in an alien research laboratory and they're teaching him deep and profound things while he watches himself getting older and older and then they send him back to earth as some kind of cosmic celestial space baby. The music played, all classical, compliment what the eyes are seeing and make you feel the significance of man's journey through his evolution from ape to space traveler. I don't know if it's just me, but I watch movies for the story. Most of this film takes place in space. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold.
Notice the contrast between how apes and humans approach the monolith. Also, I never got the idea of 2001, in the title. The film's only notable mistake was the optimism with which it predicted mankind's technological and social development. Just curious, is the source you used remastered like 2001. They allow Kubrick to give an accurate or at least are the most accurate depiction of space travel to date. And the story is good when something finally happens. Let me break it down for you: Spoilers throughout For the first two minutes you are treated to a black screen with no music, waiting for the actual movie to begin.
This film was okay, although the ending really didn't make any sense. The addition of three minutes and seventeen seconds of a black screen in the beginning was also pure genius, a signal for casual moviegoers to get out of the theater now and save your time. The visual effects are so unanimously praised that it's hopeless to even try to describe how groundbreaking and influential they were. My main complaint about this film is that it's so horribly slow-paced, to the point of boring its audience to death. This fucking movie was way way ahead of its time.
Instead I found myself waiting for blissful silence whatever way it came. A time in which excitement revolving around interstellar exploration and extra-terrestrial life was everyday talk, audiences came into 2001 expecting answers. Don't get me wrong, plots and characters are good, but they're not the be-all and end-all of everything. It requires you to relax. Is he implying that civilization is evolving badly? Only to be subjected to twelve minutes of ships slowly spinning to the Blue Danube Waltz A pretty quick-tempo-ed waltz as I understand, yet here it feels absolutely agonizing. Kubrick implies that artificial intelligence has not yet reached the level of annihilating the human race, but if we are not careful, they soon will. From the grandiosity of its futuristic idea to its ambitious execution, 2001 isn't concerned with entertaining us- but rather to inspire us with awe.
He left its meaning in the hands of the viewer. The winner will achieve the next step in evolution, whatever that may be. It's a significant message to the anxious people of 1968 to perceive fresh information precisely and draw conclusions logically. Why is Heywood the only passenger on the flight to a station that already has a Hilton and a Ho-Jo up and running?!? Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. If you have any legal issues please contact the appropriate media file owners or host sites. Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1 It is a visual Odyssey that could only be told on the big screen.
Next comes four minutes of watching a ship travel over the surface of the moon and dock at a space station. It requires you to experience strange and beautiful images without feeling guilty that there is no complex plot or detailed characterization. You don't need me to appreciate 2001's immaculate visuals. Besides the incredible special effects, camera work and set design, Kubrick also presents the viewer with a lot of food for thought about what it means to be human, and where the human race is going. Far before The Terminator 1984 or The Matrix 1999 accentuated the dangers of artificial intelligence, there was 2001. The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. What does the future hold? Those with short attention spans need not apply.
The eerie silence is ominous, magnifying the mystical aura that is ever so present in the timelessness of the final scene. Through the use of large miniatures and realistic lighting, Kubrick created some of the best special effects ever put on celluloid. This aspect alone almost single-handedly created the chilling void of the space atmosphere which is also attributed to the music and realistic sound effects. Like the audience couldn't figure out how to set the scene unless they saw the establishing shot three or four times. A lot of the movie felt that way.
The film deals with the themes of , , technology, , and. Keywords : 2001: A Space Odyssey yts, 2001: A Space Odyssey yts movies, 2001: A Space Odyssey yts torrent, 2001: A Space Odyssey torrent, 2001: A Space Odyssey yts subtitles, 2001: A Space Odyssey yts torrent movies, 2001: A Space Odyssey torrent movie, 2001: A Space Odyssey subtitles, 2001: A Space Odyssey movie subtitle download, 2001: A Space Odyssey movie download, 2001: A Space Odyssey download torrent, yts subtitles 2001: A Space Odyssey. There is nothing wrong with creating a beautiful sequence that has nothing to do with the film's plot. We got the idea at the beginning of the sequence! At least for the beginning and the end? While it is a long film, and sometimes slows down, it has to be in order to accurately portray the journey of man. As he lays on his deathbed later, he reaches out to the monolith, alluding to Adam reaching out to God in Michelangelo's The Creation of Adam. Aside from the magnificent display of ingenious special effects, there are other factors that play a part in establishing the feel of the film. There are multiple interpretations of the ending, and it's a question for you to answer.
Then we're back outside traveling at a snail's pace over the moon. Experience it for more clarification. They fight, see the monolith, fight some more, pommel things with a bone. The winner will achieve the next step in evolution, whatever that may be. Stanley Kubrick is one of the very finest film-makers the world has known, and 2001 his finest accomplishment. A second monolith is revealed, again filling our ears with that horrible ringing I had no idea that was an actual piece of music! Which reminds me, for a film with such profound ambition and execution, there is surprisingly little dialogue. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space.
The painstakingly slow pace also compliments the exactness of its harmony, practically forcing you to admire its artistry. Bluntly, 2001 is one of the best science-fiction films made to date, if not the very best. To their great surprise, 2001 did the paradoxical; leaving more questions to answer than answered questions. I can talk for days about the impeccable zero-gravity effects, clever rotating sets, fastidiously constructed spaceships, the brilliant use of slit-scan photography for the psychedelic Star Gate sequence, or how it pioneered the use of front projection with retroreflective matting, but what's the point? But, now you uploaded a movie this old, I started wondering if you had your films categorized by year, but this one is in 2018 category. Finally, the choice of music is outstanding. Only a few films will live forever.